Vermont Workshop for Teachers and Students

Eginton Alignment will be in Vermont with Atlantic Theater Company Advanced Acting Workshop July 10-31.

15 students will be studying Eginton Alignment along with Acting. Margaret Eginton will be teaching the alignment classes and Scott Zigler will be teaching the acting classes.

Teacher Julianne Kusmierczyk  will be in residence from July 17-31, and Teacher in Training Nick Newell will be in residence from July 10-31.

Nick will be assisting in morning classes, coaching scenes, and doing table work sessions with acting students. At the same time he will take part in seminars with Julianne and Margaret, and learn new table work techniques.

Julianne and Margaret will be planning and working on book projects, and DVD and/or streaming projects in Eginton Alignment.

A Draft audio CD is now available for purchase: $15.00.  Please contact Margaret here if you would like to purchase one, or at egintonalignment@gmail.com

It’s been a great, long year….the Eginton Alignment group has been busy with all sorts of projects and look forward to turning their attention, full on, the development of books and products in the coming year.  We are actively looking for two more teachers, and developing workshops for Los Angeles, Boston, and dare we say it? Switzerland.

Margaret premiered a new ballet with Sarasota Ballet on May 29, and also taught a workshop for Antony Tudor Trust. The New York Eginton Alignment workshop was a good one.  It was great to have small groups and try out new series.  Margaret also taught Eginton Alignment and made a dance at Principia College, and taught a master class in Eginton Alignment for the MFA actors at Harvard, in October.  At New  College of Florida she taught a workshop in the history and practice of Interdisciplinary Performance, and co-led a lab in experimental dance and music performance. Margaret is enjoying spending a lot of time with her son, Robbie, who will leave for college in one year.

Julianne has been teaching for the Atlantic Theater LA studio, and developing her private practice. She also just got a commercial agent and has been pursuing other acting projects. She also recruited for Atlantic Theater Conservatory at SETC this winter, and taught childrens theatre classes.

Nick Newell taught acting, voice, and movement full time at Bridgewater State University, and pursued acting projects as well.  Nick is now half way through his training.

Teacher in Training Peggy Trecker White has acted in several plays, and directed several as well. We hope that she will be able to take some time away from her performance career and join us in Vermont for a week.

Chrissy Steele studied with Margaret and taught Eginton Alignment in her Principia College voice and acting classes, and is pursuing an MFA in voice andacting at Goddard College.

Hilary Harper is now in Paris, teaching ballet, and planning to bring some Eginton Alignment lessons into her workshops.  Hilary is also working with the Antony Tudor Trust curriculum committee, and is chair of the Principia College Theatre and Dance Program.

We hope that everyone who visits this site is enjoying good health, easy movement, and fun. Have a great summer!

Margaret

New York City Workshop! Open to ALL!

Yes! We are coming to New York to teach a three day workshop and I can’t wait.   Julianne Kusmierczyk will be co-teaching Teachers-in-Training Nick Newell and Peggy Trecker White will be assisting individual students…… 4 teachers to Guide!

When: March 12-14

Times: Sat/Sun 12-2pm, Monday 6-8 pm

Place: 100 Grand St., Soho

Cost: $15.00 a class (two hours) or…. 42.00 for three classes if you register and pay in advance!

The Classes: 1. Daily Dozen and Big Circus Stretches 2. Knees Forward -Tail Up (ART series) and combined Eginton Alignment/Fitzmaurice warm up, 3. Red Carpet Series (FSU series) and  and Deep Stretch Resistance work (NYU version).

CDs will be available in NYC so you can continue your practice at home: $20.00

The New York classes are open to all.  Because we have 4 teachers coming, new students are welcome to join experienced students. We will help everyone find the best way to do each exercise, review changes to exercises you used to know, and teach you new exercises and series.

To more info, reserve your spot, or sign up for the discount, please e-mail Margaret and Julie:  egintonalignment@gmail.com or move.smarter.now@gmail.com

We can’t wait to see you there….. !!!

New Check UP to post this weekend: What you can do about IT band pain…..

Move Smarter, Feel More

Ah, December

Ongoing Daily Dozen Class
Sarasota, Thursdays 7-8.15 pm
FSU/Asolo Conservatory
For info write: egintonalignment@gmail.com

BY JULIANNE KUSMIERCZYK, TEACHER

‘Tis the season to be …traveling! In the time between Thanksgiving and Christmas, I’ll have traveled from LA to NY, and vice versa, twice. Not only am I extremely fortunate to be able to do this, but I am extremely tense in my shoulders and back. Perhaps it’s all the lugging of bags and the frustrations of reservations, but I’ve had it! And this pain begs me to question how the heck does anyone make it through the holidays with physical ease and grace?

Recently in LA, I offered a fall special for table sessions called ‘Fall Back…into Alignment’. I was able to work with individuals who were familiar with Eginton Alignment, and those who were brand new to the technique. From this, I realized we all share two issues that contribute to our feelings of discomfort and holding. And these two issues we have the power to remedy.

First, what are you doing with our neck and head? Often, I’m crunching down on my neck, letting the back of my head fall behind and my chin jut forward. Add in the emotional  stress of being in an airport or waiting for guests to arrive, and suddenly my jaw is clenched. Others might find themselves pulling upwards with the head, causing each side of the neck to become a steel rod. The head and neck become locked, and the individual can barely turn their head. Sounds painful, right?

The second area is often overlooked but just as important. When standing, what are your feet doing? Lately, I’ve been taking this posture: all the weight of my body is placed on one side and in one foot (usually the right), forcing the weight in my pelvis to shift to that side as well, my lower back has to curve, and my butt hangs out. My shoulders seem to uncomfortably hang there and my arms are glued to the sides of my body. This posture makes me feel sleepy and then sore. Others might find the weight of their bodies to be resting on the outside or inside of the foot, the knees locked, and the lower back to be a solid stone wall. Doesn’t sound any better.

Here’s what I’ve been trying while I wait to board. I think about putting my weight in the ball of my foot, outside (pinky toe side) and heel of my foot equally. Next, relax my knees so that the knees are not stiffly locked. Now, it just seems silly to have my lower back swayed and my butt sticking out! I try to think of my tailbone relaxing down. Pelvis no longer tipped? Check! From this point I visualize energy upward along my spine, nothing too crazy. I also think about my shoulders expanding out from the center of my body, so I take up more room in the space. Now, my neck isn’t so crunched, and my teeth and jaw are thankful for the reprieve.

This alignment check may sound simple or difficult depending on the individual. (I find it to be difficult at times!) So, I visit it when I become conscious of not being in alignment, or anytime I ask myself, ‘hey, why is my back hurting now?’ I recommend giving the alignment check a try when you notice tension or you think to do it. Let it be the one item of your day that’s stress free. And so, let’s have three cheers for holidays, loved ones, and traveling!

Head over to the Check UP page for these standing alignment directions!

Eyes Direct the Movement

Ongoing Daily Dozen Class
Sarasota, Thursdays 7-8.15 pm
FSU/Asolo Conservatory
For info write: egintonalignment@gmail.com

By Peggy Trecker White, Teacher in Training

Time is a funny thing, no?  My best days are when time is lost.  It finally occurs to me to look at a clock and am I shocked by the hours that have passed.  When this happens, I know I’m somewhere good.  I am where I am supposed to be.  That’s how the last 3 weeks felt studying with Nick and Meg in Sarasota.  Yes, it was blindingly hot!  Yes, we missed our families, thank goodness Jackie O the Alignment Dog was with me.  But getting back into the studio felt like coming home.  Whodathunk I’d find such glee in revisiting the “knees forward, sitz bones up” series?  And how is it my brain completely removed from my memory the extreme stretch of the hamstrings while I desperately tried to move my sternum towards the tops of my thighs while breathing the whole time?!?
.
There were two major components to our time in Sarasota.  The first was learning to teach the Daily Dozen and the second was learning how to work with people on the table.  I would have to say that in everything we did, perhaps the most important element, and first step, was learning how to see.
Where are you holding?  Are you breathing?  How are you breathing?  Are you locking your knees?  Are you protecting your heart?  Is there movement in your pelvis?  If the left
side of your pelvis is down and torqued back, how does this affect the right side of your ribs?  And what else does it affect?  Your left shoulder?  The left side of your neck and jaw?  The right side of your lumbar spine?  Your left knee?  Are you aware of any of these patterns as you move through the world?
Not only will I ask these questions of you, I will first begin by asking them of myself. And as I ask them, I will naturally begin to try to unravel them.  Thus begins my reeducation of the extreme stretches, the coordination necessary for “crazy clock” and “ankle knee ankle down” and back to the most elemental movements – is my leg tracking correctly on my psoas fold?  Is my head rotating on the top of my spine, my atlas on my axis?  Can I see my own boundaries and begin to move toward something better?  Can I see in you what I see in myself and vice versa.
What else did I see in Sarasota?
I saw firsthand how the Daily Dozen can affect a persons body and life in a single session.  I saw how the Marionette can unshake a long held emotion from within my sternum and move me to tears.  And if I continued to breathe and release whatever that emotion was and whatever those tears were once for, I could let them go and feel more space, make more freedom.
I saw how a table session not only gave someone a relaxing experience, it gave them length and space and width.  It could awaken muscles that had been “dead” for far too long.  It could allow someone to stand tall in the world without force.  They could breathe again.
And I began to see how much of this work is missing in the forceful nature of our culture, particularly though not exclusively in the world of fitness.  It has become counterintuitive for us to think that ease and less can bring us positive results.  More and more does not always equal more.  It equals exhaustion, fatigue and injury.  But it is true that if we practice lengthening, widening, more breath, free forward and up – the strenghtening we’re all hoping for will come sooner than we expected!  I see that if we can get people to understand this and teach them how to implement this in their lives and what we do and believe has a very practical application, we have a market.
Meg’s movement asks us to move smarter to feel more.  How did I feel after that extreme hamstring stretch, by the way?   I felt more breath, more more capacity for movement, more freedom and I had no idea how much time had passed and I didn’t want it to end!
(Now that I am home with my books and my notes and my memory (god help us!), I hope to keep looking and unraveling.  Look for more posts regarding stretches you may have forgotten, or never knew you missed!, and their practical applications.)
Move Smarter, Feel More

Potency and Economy

Sarasota Ongoing Classes Will Begin in August:  Check Here for Information.  New York Workshop is being planned for Late Winter.

Potency and Economy

by Nick Newell, Eginton Alignment Teacher-in-Training

Fresh from three intensive weeks of training in Sarasota, I have to say that what impresses me the most about Eginton Alignment is how much result is condensed into a minimal amount of movement.

We live in a culture of excess where our beliefs about the body insist that we need to be giving 110% to achieve results.  While this way of thinking might provide some benefits it can also be a recipe for injury, stress and overuse of the body.  There are many types of pain that yield no gain. We have to move smarter.

I have learned that using ones body more efficiently almost always involves a directional shift that requires less energy and effort, not more.  Learning more efficient and simple ways of movement is not easy, on the contrary it takes practice and dedication.  Thankfully Meg has distilled her work into a system that is a gentle and accessible way to rewire our habitual ways of moving into one of ease.

We also explored some of the exercises from our days studying with Meg in graduate school, and the intensity of some of them rivaled a 45 minute work out in a gym. This despite the fact that I spent most of it standing within 3 square feet of space.

By contrast, the Daily Dozen exercises were gentle enough that 20 people of all different ages, body types and levels of ability were able to complete every one without breaking a sweat, while receiving relief from pain and increase in active posture, and feeling quite relaxed afterwards.

When I think about them abstractly, the potency of movement and economy of movement still seem like they are mutually exclusive.  Now that I have physically experienced how they are not, I hope to apply what I have learned about this work in my everyday life and teaching.


Posts from Peggy Trecker White and Julianne Kusmierczyk coming soon….

News

Sarasota: Teachers-in-Training Peggy Trecker and Nick Newell spent the last three weeks working with Margaret towards their certification.  They assisted in the Sarasota Workshop, studied foundational readings, began Table Work training (and progressed very quickly) and began learning the art of coaching actors, singers, musicians and dancers.  It was a very enjoyable three weeks filled with good work and laughter.

Both Peggy and Nick are now required to teach free labs and conduct free Table Work sessions.  Nick lives in Cambridge, MA and Peggy lives in Hilton Head, SC.  Please contact them at egintonalignment.com for information about how to make appointments and attend labs.

New York: Teacher Julianne has been teaching Eginton Alignment to the students at the introductory Atlantic Theater summer intensive.

Daily Dozen and Extreme Resistance classes will be ongoing in Sarasota beginning in August.  Check here or on the Eginton Alignment Facebook for details…..an announcement of place, time, and fees will be posted soon.

In the works:  a New York workshop for late fall or early winter.  Let us know of your interest so that we can start creating an announcement list. Enrollment will be limited.  Send us a note by pressing the comment button below!

move smarter, feel more

You can write Eginton Alignment here,  by posting a comment or question.  They are sent to Margaret directly for approval before posting, so if the question is a private one we respect that and do not post either question or answer.  You can also send your questions or comments to egintonalignment@gmail.com

Hello World!

A Draft Version of the Daily Dozen Audio CD is now Available for Purchase.  Please go to the Check UP page for details!

Today we launch the Eginton Alignment site.  Welcome to everybody visiting this site to read about our work!  Many of you studied this alignment technique in an actors’ workshop and some of you learned about it through individual lessons, or a workshop for ‘actors and others’.  For those of you who are new to this method:  Eginton Alignment is a way to educate people about their physical structure, relieve pain and injury, deepen breath,  increase coordination and elegance, and learn proper use of muscles and bones so that range of motion is broader. It’s simple, it works, and ultimately, it’s about putting the student in control of his/her body. There is a workshop coming up!

Free Sarasota Daily Dozen Workshop
July 13-29– full
What is the Daily Dozen and What does it Do?
The Daily Dozen is the fundamental series of exercises in Eginton Alignment. It re-aligns the bones of the body. As a result, a person finds a deeper level of muscular support, and the heavy surface muscles of the body, which sometimes become so tight that movement is constricted, soften and lengthen. As a result of this softening and lengthening a person finds more freedom in their joints and so achieves a broader range of motion. People immediately notice that their shoulders and their backs are less tense, and that their heads turn more easily side-to-side. When practiced over time, the Daily Dozen re-aligns bones and muscles so well that people often gain height and fully release themselves from chronic pain. Regardless of a person’s age:  posture, coordination, balance, and expressivity in motion always improve. The Daily Dozen helps a person move more elegantly, and develop more control over back pain, posture, tissue pain, and injury recovery.It feels good to do, it is easy to learn, and once learned, the Daily Dozen takes only 20 minutes to complete at home.  For details about the Sarasota Daily Dozen Workshop see the How to Study page.

move smarter, feel more

Perhaps you studied the Daily Dozen at Atlantic Theater, FSU/Asolo, Iowa, New College, in Paris, at ART/Harvard, or you may have worked with me in my private practice. But what perhaps you don’t know is that I actually began creating and using this technique to help me to improve my dance technique, speed recovery from major and minor injuries, and to help me to develop a ‘whole body’ voice.  Then, before working with other actors and dancers, I began teaching privately to help non-performers recover from and avoid injuries, defuse bodily tension, and improve their alignment.  In fact, I worked privately and one-on-one with non-performers for 4 years, before creating the class format of Eginton Alignment for the Practical Aesthetics Workshop Atlantic Theater program.

I taught the first group class at Atlantic Theatre  in 1990, and have been developing and refining exercises into various series targeting different areas and issues of the body ever since.  The Daily Dozen, as many of you know, is a bakers dozen of exercises that helps to align the bones and muscles of the body, free the breath, and increase range of motion. It also rapidly leads people into the Alexander Technique action of “freely, forward, and up”, by releasing the muscles of the neck as well as the large muscle groups of the body (for example the gluteus maximus, rectus abdominis, and trapezius) while simultaneously strengthening the deeper, more efficient core muscles of support (namely the iliopsoas, quadratus lumborum, transversus abdominis).  Once the core muscles of the body are working properly, the hips, legs, and spine become freer, and it is easier to stand  upright with lightness, breathe deeper,  and move without pain.  After this ‘good neutral alignment’ is achieved, performers and others find it easier to be expressive, and to feel at ease and in control of their bodies.

move smarter, feel more


Over the past 10 years or so several people have asked me if they could learn to teach this work.   I didn’t feel ready to train others until 2007.  I felt that my exercises would always be evolving (and they will) and honestly, I wasn’t sure how to translate what, over 20 years, had become dependable yet intuitive work in private and group lessons, into an analytic and repeatable set of technical tools that others could learn and rely on.

In 2007 Julianne Kusmierczyk, an Atlantic Theater NYU graduate and former dancer with gifted eyes and hands, convinced me to train her to teach the Daily Dozen and whatever else I felt ready to pass on.  I was very fortunate to have Julie as my first student-in-training because she asked me hard questions about foundational concepts, anatomy,  technical moves, and teaching philosophy.  This helped me to codify not only the Daily Dozen and other series, but also the ethics with which all teachers of Eginton Alignment practice.

The Eginton Alignment Teachers Pledge

We help people become pain free, or able to manage their muscular, skeletal, and tissue pain. We will do everything we can to relieve pain and to teach people techniques to manage and relieve pain at home.

We help performers achieve their artistic and technical goals. We will focus on freeing performers from holding patterns and mannerisms in our coaching, so that they can access and maintain their unique talents on their own.

We support people’s autonomy over their physical goals and training. We will incorporate people’s ideas about how they want to learn and what they want to learn into their training plan.

We recognize people’s need for flexibility in scheduling and, ultimately, independence from an alignment teacher. We will accommodate work schedules whenever possible, and always teach towards the goal of the student becoming his/her own teacher.

We make sure that our classes and lessons are always practical, economical, and yield results. Eginton Alignment exercises will always be able to be done almost anywhere. They will never need special or expensive equipment. This method of alignment truly can be learned in group classes. People will have a clear experience of how these exercises can help them feel more at ease in their body, have better posture, be taller, and feel less pain – after one class. We will help people to achieve their goals as quickly as possible.

We practice excellence and guarantee our work. Eginton Alignment teachers are prompt, fully focused on their students, and responsive to student goals and questions. If a student expresses dissatisfaction with a lesson, we will refund their fee, or schedule a free lesson.

Having gone through a rigorous training process over two years, including a lot of practice teaching, Julianne became the first certified teacher of Eginton Alignment, in January of 2010.   She now works in Los Angeles and New York City, and is an excellent teacher.  I hope that you will find an opportunity to study with Julianne, and to enjoy her  expertise, lively imagery, and playful nature.

There are five other people training to teach Eginton Alignment, each poised to work in an area of the United States. All five already contribute to the evolving technique, and use some of it in their teaching in universities, colleges, and theaters. This post is the public announcement of our teaching group.  While Julianne is fully qualified to teach all aspects of Level 1 Eginton Alignment, other Teachers-in-Training may teach labs in the Daily Dozen without charge, and practice analytic and hands-on skills with volunteers, also without charge. If you would like to contact a teacher in your area, please check the Teachers page.

move smarter, feel more

This post is dedicated to the memory of John Bennett, who suggested this site years ago.

Photograph©Devereau Chumrau 2010

Daily Dozen Announcement

Sarasota July 13-29

There will be a free introductory Daily Dozen class open to people of all ages and levels of fitness in Sarasota July 13-29. The workshop will meet Tuesday and Thursday mornings from 9:30-11:30 at the FSU/Asolo Conservatory movement studio, located in the Asolo Theatre building at 5555 N. Tamiami Trail. Please enter through the stage door, which is located at the east side of the Asolo Theatre building, facing towards the highway. Signs will be posted, and FSU security can also direct you to the studio.

The workshop will be taught by Margaret Eginton, assisted by Nick Newell and Peggy Trecker, both of whom are in the process of becoming certified in Eginton Alignment. The class will be capped at 20 people, so that everyone will receive enough individual coaching.

There are also a few spots left for individual lessons, and coaching for actors and singers.

If you would like to take this free workshop, or have interest in a free lesson or coaching session, please contact Margaret at egintonalignment@gmail.com or at 941-954-0332


What is the Daily Dozen and What does it do?

The Daily Dozen is the fundamental series of exercises in Eginton Alignment. It re-aligns the bones of the body. As a result, a person finds a deeper level of muscular support, and the heavy surface muscles of the body, which sometimes become so tight that movement is constricted, soften and lengthen. As a result of this softening and lengthening a person finds more freedom in their joints and so achieves a broader range of motion. People immediately notice that their shoulders and their backs are less tense, and that their heads turn more easily side-to-side. When practiced over time, the Daily Dozen re-aligns bones and muscles so well that people often gain height and fully release themselves from chronic pain. Regardless of a person’s age:  posture, coordination, balance, and expressiveness in motion always improve. The Daily Dozen helps a person move more elegantly, and develop more control over back pain, posture, tissue pain, and injury recovery.

It feels good to do, it is easy to learn, and once learned, it takes only 20 minutes to complete at home.


People deserve to  feel comfortable in their bodies.
People deserve to be elegant in their posture and expressive in their gestures.
People deserve to understand and control their bodies, with independence.

move smarter, feel more